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Japanese KOHIKI Tea Cups
The Kiri Bako (box) says pair of tea cups (yunomi), the first line says Konahiki
which is a Japanese ceramic.
Although the
dictionary meaning is a white ceramic, in this case the ceramic is
stoneware.
Signed with the name Hidetoshi and stamped underneath
Period 1920
Kohiki is a type of high-fired stoneware characterized by
a simple ash slip
over an iron-rich body. It was first produced by Korean potters in Japan
in the 1500s, and its simple, unadorned beauty was highly regarded among
the busho chajin, or warrior tea men, who sometimes were rewarded for their loyalty with kohiki tea bowls.This
set of cups and plates has a delicate Sakura-Cherry blossom- flush
through the mottled cream glaze. The chrysanthemum stamp is originally a
design from the Royal Household but used in certain Samurai families and
I believe that this one is from the
Ryûzôji clan.
This set possesses all the unrefined simplicity of the kohiki wares
of old.



Japanese Kohiki
Tea Cups and plates £125
inc Post
18thC Chinese porcelain tea bowls all with
some faults.
Left to right -

1. Measures 4.5cm tall, has been cracked and
reglued but beautifully painted C 1650. £70
2. Measures 4cm tall, has small
damages C 1680. £60
3. Measures 4.5cm, beautiful piece, has some
nibbling to the rim C 1620. £95
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Each bowl will have a special Kiri Pauwlana wood box..
  eURIS1BOThq,gg)w~~48_35.jpg)
This box is made of kiri wood (paulownia wood).. It is very light but
very strong; kiri boxes have been used in Japan for many centuries.
The box was made in Japan by the Hakoyoshi Company, maker of high
quality kiri boxes since the end of the 19th century.
Each box is new and in perfect condition
Dimension: 8.2 cm x 8.2 cm x 8.8 cm; inside 7.3 cm x 7.3 cm x 8.1 cm
(3.3 in x 3.3 in x 3.5 in; inside 2.9 in x 2.9 in x 3.2 in)
 

Japanese Kutani Tea cups. Splashed gold on landscapes of Fujisan.
With artists box . A superb design of great quality. Better images will
soon be put up
£130
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Sen No Rikyu; Sen no Rikyu (千利休; 1522 - April 21, 1591)
is the historical figure considered to have had the most profound
influence on the Japanese tea ceremony. Rikyu was also a member of the
inner circles of the powerful Oda Nobunaga and Toyotomi Hideyoshi. A man
of simple taste, he lived a cultivated and disciplined lifestyle and
defined the term wabi cha by emphasizing simple, rustic, humble
qualities in the tea ceremony, which had been revolutionized by Ikkyu
and his disciple Murata Shuko a century earlier. Sen no Rikyu’s first
documented name was Yoshiro, later changed to Soueki. In 1585 a special
tea ceremony was held to celebrate the inauguration of Toyotomi
Hideyoshi as Kanpaku. On this occasion, Rikyu was given the
special Buddhist name “Rikyu kojigou” by Emperor Ogimachi, and
eventually became the supreme tea master. Three of the best-known
schools of tea ceremony—the Urasenke, Omotesenke and
Mushanokōjisenke—originated from Sen no Rikyu and his descendants
via his second wife. A fourth school is called Sakaisenke.
Before and after
Chajin-The tea master. This is a short of Sen no Rikyu scroll dating from around 1860.
I have recently restored this with new silk mounts in Grey(not blue) and
made a beautiful box in Antique Kimono Silk with a Fan patter, £175
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Click
to see Scroll Box |
Tea Block dating from the 1930's -The
tea was around 30 years old when it was made into a brick in the
1930's. This would make the tea over 110 years old now.
Chinese Tea Brick: printed with
"China's
tea industry companies zhaoliqiao brick tea factories for
producing,"
This
is
black tea which is made at the end of the process of roasting or
drying tea. Only the oldest and most fragrant teas were made
into blocks like this. While a great delicacy,
I would think that
this type of Tea
Brick is really only for collection purposes . I do
have tea that is in excess of 50 years old which I was given by
Chinese friends and I drink occasionally and that is, indeed,
very nice.
Zhao Liqiao
is located in Hubei Province. factory was set up on 1861.

- The Tea Brick is now Sold
- The very old
Chinese
YI-HSING Teapot is £160. I have other tea
pots in various sizes and styles priced from £30 to £90
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The carved Lacquer Tea Caddy with enamel metal body, is £120
All prices include post |
Such
tea bricks are only for collection purpose. They are very rare.
This is from a Chinese friend of mine who is an appraiser for Antique
Tea items.
More than 30 years ago, when I visited this tea
factory, people working there chose only the best tea (the old tea)
to produce such brick.
Even
a lot of tea stems, by frying after that they placed in a hall as
big as a house for Steaming the tea and then compressed the tea into
bricks. It was said that
all tea came from foreign pastoral grasslands, and this
tea was used to boil with milk. It was therefore ideal for export o
countries where they made tea with milk as this brought out the
flavour of this tea. .
However, and although I
had visited this company, using the traditional Chinese characters, and Chinese
brands, during our tea business, we never heard the name of China
Tea Company. So completely varied is tea history. However, I
now know,
this tea factory was very famous during Anti-Japanese war,
and this was a gigantic tea factory in Jiayu County, Hubei Province (now Chibi city )
Yangloudong zhaoliqiao, close to Hunan, but now no longer
exists. That makes this Tea Brick a rarity.
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Traditional High-quality
Urushi Laquer Hadai
Stand
For use with Sakazuki
Sake Bowls
Decorated with auspicious symbols
Cloud-shaped drainage slits
Hand-painted
With removable lid
Two-piece construction
Age Approx:
Meiji, (C1880s-1900) £160

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| Lacquered Tea Tray 24.5cm x 24cm - 9.6 x 9.4 inches. Good
condition. The family crest is Otani.
We have made a special Antique silk covered
Box specially for this wonderful table £180 inc post

 
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Traditional High-quality Urushi
Laquer Stand
For use with Sakazuki
Sake Bowls
Decorated with auspicious symbols
Cloud-shaped drainage slits
Age Approx:
Meiji, (C1880s-1900)


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| Chinese Tea Pot

Unusual patterns in tea pots £40 each |



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| The top darl]#k brown tea pot is £30 On the
right is a very old
Chinese
YI-HSING teapot in Red Clay £160
The bottom pot is extremely rare and dates from 19th century £75


Bamboo shaped Teapot £45

Small hand made tea pots by a famous maker £80 each |
Yixing clay teapots (simplified Chinese: 宜兴;
traditional Chinese: 宜興; pinyin: Yíxīng; Wade–Giles: I-Hsing) (also
called Purple Sand (simplified Chinese: 紫砂; pinyin: zǐshā; Wade–Giles:
tsu sha) are made from Yixing clay. This traditional style commonly used
to brew tea originated in China, dating back to the 15th century, and
are made from clay produced in the region of the town of Yixing in the
eastern Chinese province of Jiangsu.
Yíxīng teapots are not actually made in the regional city of Yíxīng, but
rather in nearby Dīngshān, also known as Dingshu, which falls within the
administrative area of Yixing. Hundreds of teapot shops line the edges
of the town's crowded streets and it is a popular tourist destination
for many Chinese. While Dīngshān is home to dozens of ceramics
factories, Yíxīng Zǐshā Factory Number 1, which opened in 1958,
processes a large part of the clay used in the region, produces fine
pottery ware, and has a large commercial showroom. In addition to the
better known teapots, frescoes, oil and grain jars, flower vases,
figurines, glazed tiling, tables, ornamental rocks, and even ornamental
waste bins are all manufactured in the community.
Yixing teapots are meant for use with black and oolong teas, as well as
aged pǔ’ěr tea. They can also be used for green or white tea, but the
water must be allowed to cool to around 85 degrees Celsius before
pouring the water into the pot. Yixing teapots absorb a tiny amount of
tea into the pot during brewing. After prolonged use, the pot will
develop a coating that retains the flavor and color of the tea. It is
for this reason that soap should not be used to clean Yixing teapots.
Instead, it should be rinsed with fresh water and allowed to air-dry. A
studious tea connoisseur will only steep one type of tea in a particular
pot, so as not to corrupt the flavor that has been absorbed.Traditionally, some Chinese would pour the tea from the spout directly
into their mouths.
Yixing teapots are smaller then their western counterparts as the tea is
often brewed for only a few seconds before it is served to guests.
Reusing the same tea leaves multiple times, the first brew of the tea
leaf is usually used only to clean tea, teapot, and cups and is not to
be consumed. Chinese people traditionally drink from cups that hold less
then one ounce of liquid and are simply repeatedly filled so that they
may cool rapidly but can be ingested before the tea becomes cold.
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 Tea spoon holder, hand made Scottish Ceramic 20th Century £35
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 Chinese Tea Caddy in carved Lacquer dating
from the latter part
of the 19th century, Enamelled blue inside
£120
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| The carved lacquer of China (diaoqi) is
particularly noteworthy. In this the lacquer was built up to a
considerable thickness. When several colours were used, successive
layers of each colour of uniform thickness were arranged in the order in
which they were to predominate. When the whole mass was complete and
homogeneous, it was cut back from the surface to expose each colour as
required by the design. When the lacquer was cold and hard, the carving
was done with a V-shaped tool kept very sharp. The cutting was done with
amazing precision—no correction of faults was possible, for each layer
had to be exactly and accurately reached and the final result precisely
foreseen from the beginning of the work. The red lacquer (tihong), so
well known and justly appreciated, was coloured with cinnabar (red
mercuric sulphide). Other colours include a deep and a lighter olive
green, buff, brown, black, and purple (aubergine). This is a Cinnabar
Red base with a Black top layer. Very elegant |
 Carved
Stone wear Tea Cup £35 |
 Green
Nephrite Translucent Jade Tea Cup £55 |
 This is a
tea bowl with a wonderful gold plum blossom pattern and inside there are
numerous poems in Kanji. Slight 'glaze' crack on inside but not through
the bowl and it holds tea very well. Very rare tea bowl and it comes
with a Kiri Box £110

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 Beautiful
Japanese tea bowl with gold highlights , signed and with Kiri Box £130

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American Potter Roland Folse created these Tea Cups.
Quiet beautiful Glazes, I hope to be able to supply some of
these rare Tea Cups in the future |

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 This is a
really very rare pair of Chinese Tea cups made with a glaze
speckled with gold Similar to Japanese Makie-e Lacquer ware
With Kiri Box as below £125 |
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Maki-e (蒔絵?, lit. sprinkled picture) is
Japanese lacquer sprinkled with gold or silver powder as a
decoration using a makizutsu or a kebo brush. The technique
was developed mainly in the Heian Period (794–1185) and
blossomed in the Edo Period (1603–1868). Maki-e objects were
initially designed as household items for court nobles, they
soon gained more popularity and were adopted by royal
families and military leaders as an indication of power.
To create different colours and textures, maki-e artists use
a variety of metal powders including gold, silver, copper,
brass, lead, aluminium, platinum, pewter, as well as their
alloys. Bamboo tubes and soft brushes of various sizes are
used for laying powders and drawing fine lines. As it
requires highly-skilled craftsmanship to produce a maki-e
painting, young artists usually go through many years of
training to develop the skills and to ultimately become maki-e
masters.Use of this kind of technique in ceramic can
indeed be similar and the techniques to create these two
cups are as complicated as Maki-e in Lacquer. The base of
the cups is red clay and this kind of pottery would date
from the 15th century although these were made in 2006 as a
homage to these earlier potters.
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 17th
century Chinese tea scoops £80 each |
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Tea bowls with box and papers by Mizuno Hiroshi.a famous
master ceramicist in Tokoname £195 eachProfile of
Mizuno Hiroshi below |


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Profile of Mizuno Hiroshi below |


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| Two quite amazingly beautiful tea cups in
their original artists signed boxes with their papers
handcrafted
in Tokoname, Japan by the renowned potter Mizuno
Hiroshi.£195 each.
Hiroshi learned his craft from Yamada Jozan III, a National
Living Treasure.In
1998 Yamada Jozan(1994-2005) was designated a Living
National Treasure for his graceful Tokoname kyusu small tea
pots.
Tokoname:
Amongst Japan's six ancient kilns (Seto, Shigaraki, Echizen,
Tanba, Bizen and Tokoname), Tokoname is said to be the
largest and oldest.
Tokoname is a small city, situated in central Japan (right
next to the newly built Centrair airport). Most of the
houses in the historical area were traditionally painted
black, so that they did not show the dirt from kiln fumes.
It is said that Tokoname people did not realize that
sparrows weren't black until they went to the next town and
saw their true colour. Nowadays, the black fumes which used
to envelop the town are no longer evident., but the
atmosphere and character of Tokoname heyday lives on.
Profile of Mizuno Hiroshi
1950 - Born in Tokoname 1971 - Became apprenticed to
Yamada Jozan III (till 1974)
1979 - Awarded a prize at Chunichi International Ceramics
Exhibition
1980 - Awarded a prize at Japan Traditional Crafts
Exhibition
Awarded a prize at Chunichi International Ceramics
Exhibition
Selected for Faenza International Ceramic Crafts
Competition, Italy
1982 - Awarded a prize at Japan Traditional Crafts
Exhibition
Awarded a prize at Chunichi International Ceramics Exbition
1983 - Awarded a prize at Japan Traditional Crafts
Exhibition
1985 - Awarded a “Crafts prize” at Japan Traditional Crafts
Exhibition
Awarded a “Fine Work prize” at Kanazawa International Design
Fair
1989 - Awarded a prize at Traditional Ceramic Ware’89 Mino
Exhibition
1990 - Awarded a prize at Itami Craft Exhibition
1992 - Awarded a prize at Traditional Ceramic Ware’92 Mino
Exhibition
Invited to exhibit at Japan Traditional Crafts Exhibition
1993 - Awarded a prize at ‘93 Craft Competition in Takaoka
2005 - Awarded a prize at ‘05 Craft Competition in Takaoka
Awarded the “Craft Center prize” at Japanese Crafts - Hands
- Another life exhibition
He has been awarded prizes at Tokai Traditional Crafts
Exhibition - 6 times.
He also holds private exhibitions throughout Japan
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The Sen No Rikyu Scroll comes with the period box. The scroll ends are
lacquered Black. A very fine scroll that has probably been rarely hung. In excellent condition. £155
Including Box.
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| The great Tea Master Sen no Rikyu During the reign of Toyotomi Hideyoshi the Tea
Ceremony became popular in Japan. Sen no Rikyu(千利休,1522-1591)
is the person who established the Japanese Tea Ceremony. He was the one
that made the art of making tea into a national art form.. Rikyu
synthesized a unique way of life, combining the everyday aspects of
living with the highest spiritual and philosophical tenets. This has
been passed down to the present as the “Way of Tea.” Hideyoshi was
entranced with the ceremony and gave Rikyu an estate. But that did not
prevent Hideyoshi from ordering Sen no Rikyu, the great master of
the Japanese tea ceremony to commit ritual suicide ("seppuku") in 1591.
Rikyu was born in Sakai
in 1522. His father, Tanaka Yōhei (田中与 兵衛 / 田中 與兵衞) was a wealthy
warehouse owner in the fish wholesale business, and his mother was
Tomomi Tayuki (宝心 妙樹). His childhood name, as the eldest son, was
Yoshiro (later Rikyu). Sakai is located on the edge of
Osaka Bay at the mouth of the Yamato River, which connected the
Yamato region (now Nara Prefecture) to the sea. Sakai thus became a link
between foreign trade and inland trade, and merchant citizens ran the
city. In those days it was said that the richest cities were Umi Sakai,
Riku Imai (tr. "along the sea, Sakai, inlands Imai").
The famous Zen Buddhist priest Ikkyu (一休宗純 Ikkyū
Sōjun) (1394-1481) chose to live in Sakai because of its free
atmosphere. Ikkyu was an eccentric, iconoclastic Japanese Zen Buddhist
priest and poet. He was also one of the creators of the formal Japanese
tea ceremony. Because of the close relationship between the tea ceremony
and Zen Buddhism, and because of the prosperity of its citizens, Sakai
became one of the main centers for the tea ceremony in Japan.
In 1538, at an early age, Yoshiro began his study
of tea. His first teacher was Kitamuki Dochin (北向道陳) who taught tea in
the traditional style suited to the shoin (a drawing room in the
traditional Japanese architecture) reception room. In 1540 Rikyu started
to learn from Takeno Jo-o (武野紹鴎), who is associated with the development
of the
wabi aesthetic in tea ceremony, a new style featuring a
small, thatched tea house. Kitamuki Dochin (北向道陳) and Takeno
Jo-o(武野紹鴎)were both famous tea masters and wealthy merchants in Sakai.
Takeno Jo-o developed Wabi-cha, which had been begun by Murata
Shuko (村田珠光)、and initiated Rikyu in the new tradition.
Rikyu, like Shuko and Jo-o, also underwent Zen
training at Daitoku-ji, a temple in northwest Kyoto that had a long
tradition of the tea ceremony. Thereafter, he changed his name to Sen
Soueki, taking the family name of Sen from his grandfather's name,
Sen-ami.
It was then that Rikyu composed the poem that
dates from that time: "Though many people drink tea, if you do not know
the Way of Tea, tea will drink you up." The meaning is that without any
spiritual training, you think you are drinking tea, but actually tea
drinks you up.
Rikyu synthesized a unique way of life, combining
the everyday aspects of living with the highest spiritual and
philosophical tenets. This has been passed down to the present as the
“Way of Tea.”
At the end of sixteenth century the tea ceremony
was prevalent, centering on Sakai. The important merchants of Sakai were
collecting prestigious tea implements and enjoying new styles of the tea
ceremony. At that time
Oda Nobunaga banished the Murimachi shogunate of Ashikaga Yoshimasa
from
Kyoto. This was the era in which Oda Nobunaga’s political and
military power was unifying the nation. Nobunaga recognized the
popularity of the tea ceremony, and he also began to study and
participate in the tea ceremony. It is thought that around 1573 Rikyu
was invited to be the Master of Tea Ceremony for Nobunaga. Nobunaga
allowed his followers to do the tea ceremony, and it became a rite of
the
Samurai (warriors). Nobunaga’s political strategy was named
ochanoyu goseido (the tea ceremony policy). Nobunaga also emphasized
the collection of special tea implements; if his followers rendered
distinguished services they received these valuable items as rewards.
Receiving such a gift was considered as honorable as being named a
feudal lord.
In 1578 Rikyu’s wife, Houshin Myoujyu, died; he
later married a second wife, Shushin. The Incident at Honnōji (本能寺の変Honnōji-no-hen),
on June 21, 1582, resulted in the forced suicide of Oda Nobunaga at the
hands of his samurai general Akechi Mitsuhide. This occurred in Honnoji,
a temple in Kyoto, ending Nobunaga's quest to consolidate centralized
power in Japan under his authority. After the death of Nobunaga, Rikyu
became the head tea master of
Toyotomi Hideyoshi, the de facto successor of Nobunaga. Hideyoshi
continued Nobunaga's policy and unified Japan after several years of
civil war.
Ostensibly in charge of tea, Rikyu wielded great
influence over Hideyoshi in other matters as well. When Hideyoshi hosted
a tea at the Imperial Palace in 1585, Rikyu received the Buddhist title
of koji from the Emperor Ogimachi, thus establishing his
prominence among the practitioners of tea in Japan. We can understand
Rikyu’s position from a letter written by Otomo Sorin, who was a
powerful feudal lord at that time. Sorin wrote, “Hideyoshi’s private
secretary at the window was Rikyu and Hideyoshi’s official secretary at
the window was the general Hidenaga (Hideyoshi’s step brother).” This
means that Rikyu occupied the position closest to Hideyoshi and
controlled who had access to him, while Hideyoshi’s brother-in-law only
acted in an official capacity. From this we can appreciate the magnitude
of the political power held by Rikyu in Hideyoshi’s administration.
Around this period Rikyu moved his residence from
Sakai to Kyoto, lived on the premises in front of Daitoku-ji temple and
set up a tea room named Fushinan, which became the base for his
tea ceremony activities and for the schools he established.
In 1585 a special tea ceremony was held to
celebrate the inauguration of Toyotomi Hideyoshi as Kanpaku (the
regent or the chief adviser to the Emperor). Hideyoshi performed the tea
ceremony for Emperor Ogimachi, with Rikyu as his on-stage assistant. On
this occasion Rikyu was given the special Buddhist name “Rikyu kojigou”
by Emperor Ogimachi and, in both name and reality, Rikyu became the
supreme tea master.
In 1587 when Hideyoshi attacked Shimazu, the
feudal lord in Kyushu (southern part of Japan), Rikyu accompanied him.
He held several tea ceremonies in Kyushu and worked to establish a
cultural and political exchange with the wealthy and powerful business
people of Kyushu, such as Kamiya Sotan and Shimai Soshitsu.
Then a lavish palace called the Jurakudai
or Jurakutei (聚楽第) was constructed in Kyoto by the order of
Toyotomi Hideyoshi. Construction began in 1586, when Hideyoshi had taken
the post of Kanpaku, and required 19 months for completion. The location
is in present-day Kamigyō, on the site where the Imperial palace had
stood during the Heian period. Rikyu was also given a residence nearby.
Hideyoshi hosted a large tea ceremony party at the precinct of Kitano
Tenman-gū (北野天満宮), a
Shinto shrine in Kyoto.
During this time, Chanoyu (tea ceremony)
came into contact with Christianity. Many missionaries came to Sakai and
Kyoto, where they befriended Rikyu and the other teachers of tea. Among
the seven principle students of Rikyu were three devout Christians:
Furuta Oribe, Takayama Ukon, and Gamou Ujisato.
It was during his later years that Rikyu began to
use very tiny, rustic tearooms, such as the two-tatami (Japanese
mat) tearoom named Taian, which can be seen today at Myokian
temple in Yamazaki, a suburb of Kyoto. This tea room has been declared a
national treasure. He also developed many implements for tea ceremony,
including flower containers, tea scoops, and lid rests made of bamboo,
and also used everyday objects for the tea ceremony, often in novel
ways. In addition, he pioneered the use of Raku tea bowls and had
a preference for simple, rustic items made in Japan, rather than the
expensive Chinese-made items that were fashionable at the time.
Although Rikyu had once been one of Hideyoshi's
closest confidants, for reasons which remain unknown, Hideyoshi ordered
him to commit ritual suicide, which he did at his Jurakudai
residence in Kyoto on February 28, 1591, at the age of seventy. Rikyu's
grave is located at Jukoin temple in the Daitokuji compound in Kyoto;
his posthumous Buddhist name is Fushin'an Rikyu Soeki Koji.
Memorials for Rikyu are observed annually by many
schools of Japanese tea ceremony. The Urasenke School’s memorial takes
place each year on March 28.
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